Izotope Rx 5 De Esser
In this world exclusive review ahead of its release. Mr RX It, Mike Thornton, shows the key new features being introduced into iZotope's RX5 & RX5 Advanced, like De-plosive, an Ambience Match AudioSuite plug-in and an Instant Process Tool.
- IZotope, Inc. Is an audio technology company based in Cambridge, Massachusetts, United States.iZotope develops professional audio software for audio recording, mixing, broadcast, sound design, and mastering which can be used in wide range of Digital Audio Workstation (DAW) programs. In addition, iZotope creates and licenses audio DSP technology including noise reduction, sample rate conversion.
- Ess reduction is aimed at anyone using the Leveler on dialogue or vocals, and utilizes a smart algorithm, inspired by the DBX 902 De-esser, to detect when ess is present in a signal, and then attenuate it accordingly. This avoids adding any boost to esses, which may otherwise be seen as quiet sounds requiring a boost.
Highlights In RX5 Audio Editor
De-plosive - With this module you can improve the quality of your dialogue by removing plosive pops and mic bumps that can occur during a recording. This module alone will save loads of time. With Spectral Repair we could take out pops and bangs, but you had to do it one at a time. Now with De-plosive you can run through a complete file in seconds. (Advanced only)
Leveler - This module has been substantially improved with the addition of a built in de-esser to manage sibilance and a breath control to make sure breaths don't jump up and hit you in the face. (Advanced only)
AudioSuite Ambience Match Plug-in - iZotope introduced Ambience Match into the standalone version of RX4 Advanced. Now we can use the power of Ambience Match to create and insert 'Fill' or create dedicated 'Fill' tracks from the corresponding dialog tracks using an AudioSuite plug-in without having to leave Pro Tools. (Advanced only)
IZotope develops award-winning audio software and plug-ins for mixing, mastering, restoration, and more. RX 7 Standard is the audio repair toolkit used on albums.
Instant Process Tool - When cleaning field up with modules like Spectral Repair, it can be really tedious to keep having to select an area of audio and then mouse up to the module and hit Process. Also the module window can get in the way. With the new Instant Process feature, once you have selected your bit of audio, it is processed immediately, so you can move straight onto the next problem area. Instant Process has several different modes - Attenuate, De-click, Fade, and Gain, and Replace.
Module Chain - Often we need to use a number of modules to process a clip of audio, and until now we had to select a module one at a time. Now with Module Chain we can process clips with multiple modules all at once again saving valuable time and mouse clicks.
De-reverb - iZotope introduced De-verb into RX Advanced. With RX5, De-reverb will be available in the standard version as well as the Advanced version.
Corrective EQ - The EQ module in RX has undergone an overhaul and has a very similar look and feel to the EQ section in Final Mix. Now with 6 fully parametric bands and new filters to be used for cutting harsh high frequencies, rolling off low rumbles, reducing standing waves from a boomy location recording or increasing the intelligibility of dialogue.
Clip By Clip Processing with Pro Tools - You can now use Clip by Clip processing with the RX Connect plug-in to take multiple clips across into the standalone version of RX, work on then in RX and then ship them back into Pro Tools still as separate clips.
RX 5 Editor Pricing
- Special pricing for RX4 - $299 until October 21st (will include free upgrade to RX5). After October 21st normal price will be $349
- Special pricing for RX4 Advanced - $999 until October 21st (will include free upgrade to RX5 Advanced). After October 21st normal price will be $1,149
RX Upgrade Pricing
- Upgrade from RX 1-4 Advanced to RX 5 Advanced Audio Editor $299 until Oct 21st then $399
- Upgrade from RX 1-4 Standard to RX 5 Advanced Audio Editor $499 until Oct 21st then $850
- Upgrade from RX 1-4 Standard to RX 5 Audio Editor** $99 until Oct 21st then $199
Leveler
The Leveler module automatically rides the gain in your file to even out the variations of the signal level. The algorithm consists of a compressor with a makeup gain to achieve the a smooth signal that’s aiming towards (though may not exactly hit) a desired Target RMS level. The compressor has the ability to prevent pumping on speech pauses or breathing sounds, using the Optimization mode, for either Dialogue or Music, in addition to the Ess and Breath parameters. The level detector stage includes the K-weighting filter that helps equalize the audible loudness, not just RMS level. However, the Leveler module is designed for the smoothing of overall audio signals, rather than taking an entire signal and using a fixed gain to ensure it hits a loudness compliant LKFS level, the goal of the Loudness module.
This all combines to create a transparent, non-destructive Clip Gain curve, without the color or artifacts of a traditional compressor.
Unlike Loudness module, which applies a constant gain based on Loudness compliant analysis to the whole file, Leveler applies a time-variable gain. For convenience of RX users, the time-variable gain is applied as a Clip Gain envelope, which can be viewed and edited by the user.
Numerical Readouts
These readouts provide you with the Total, Maximum and Minimum readouts for RMS. The total value is the overall RMS of your audio signal, which may inform where you choose to set the Target RMS level parameter.
Optimize for
This switches between two modes, Dialogue and Music. Each mode utilizes a slightly different handling of the noise floor.
Dialogue tends to be audibly juxtaposed against the noise floor, as it’s typically very transient, whereas music often tends to fade into the noise floor, with chords, notes, and other instrumental decays. Switching between these two modes will affect the behavior of the Leveler, and prevent pumping.
Target level
Sets the desired average RMS level of the recording. Note that Leveler uses K-weighted RMS to better level perceived loudness, but that it is not a loudness compliant leveling tool. It uses the Target Level as a guide, but with the goal of smoothing out variations in an audio signal much more transparently than a compressor typically would. As such, it is not unusual to see the resulting output of Leveler not be an exact 1:1 with the defined Target Level. At high target levels, the leveler may not be able to hit the target without clipping, so the target level will not be reached.
Responsiveness
Sets the integration time for RMS level detection. Similar to the attack/release setting on a compressor. Lower settings will result in more aggressive Leveling, useful if a signal has a lot of sudden variations. Higher settings will result in smoother behavior, leveling words or phrases rather than individual syllables. If you find the Leveler is responding to any sudden unwanted sounds, such as a cough, and boosting it, a increase the slider to a higher value to see if this results in less aggressive jumps.
Izotope Rx 5 De Esser 7
Preserve dynamics
This can be thought of the maximal amount of gain applied by the Leveler, the wider the range of gain adjustments allowed, the further away from the original dynamic range the audio signal will be.
A lower values, the Leveler will preserve fewer of the original dynamics in the audio signal, and at higher values, the Leveler will preserve more of the original dynamics in the audio signal.
Ess reduction
Ess reduction is aimed at anyone using the Leveler on dialogue or vocals, and utilizes a smart algorithm, inspired by the DBX 902 De-esser, to detect when ess is present in a signal, and then attenuate it accordingly. This avoids adding any boost to esses, which may otherwise be seen as quiet sounds requiring a boost. The slider sets the amount of ess reduction applied, in dB.
Breath control
This will automatically detect breaths in your vocal takes and attenuate them. This can be an essential tool when editing a dialogue or vocal track by streamlining a task that can be time-consuming when performed manually.
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Breath Control automatically analyzes the incoming audio take and distinguishes breaths based on their harmonic structure. If any piece of the incoming audio matches a harmonic profile similar to a breath, the Leveler will apply a Clip Gain adjustment. Different from a 'Threshold' based process in which the module is only engaged once the audio has risen to a certain volume, this feature will perform its analysis regardless of level. This allows for accurate breath recognition with a multitude of quiet or loud dialogue / vocal styles with minimal adjustment of the module's controls.
The slider represents the desired level, in dB, that you wish all detected breaths to be reduced to. This can result in much more natural sounding breath reduction as the detected breaths in your audio are only reduced when necessary. Loud and abrasive breaths will be reduced heavily, and quiet, natural sounding breaths will be left at the same volume. The volume level specified by this slider is a guide, but may not result in exact values.
Limiter
The Leveler has an inbuilt Limiter, in order to avoid introducing any clipping to the audio signal once the Clip Gain envelope has been applied.
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This cannot be adjusted, but you’ll see the Clip Gain envelope smooth off an audio signal if you’re pushing peaks close to 0 dB.